This critical review was published by The Porch Magazine. <===Click to read the whole article. Read an excerpt below...
Each of Wes Anderson’s short & feature length films since 1994 (including his newly released Isle of Dogs) follow characters who inevitably experience failure & forgiveness. Anderson seems incompatible with cynicism, though not an idealist either. He unpretentiously "knows how to convey the simple joys and interactions between people so well and with such richness” says Martin Scorsese. Anderson’s fifth film, “The Darjeeling Limited”, was released in 2007 amidst a harsh & abrasive “war on terror” environment that produced several masterpieces that same year. Being critically dismissed in favor of films portraying serial killers and greedy psychopaths, there seemed minimal margin for Anderson’s lack of pessimism. His film about three wealthy, self-indulgent brothers traveling across India on a spiritual journey appeared politically obstinate. To that end, however, I believe it was significantly subversive. By shedding a humane light on a microcosm of white male narcissism (as portrayed by regular players Owen Wilson & Jason Schwartzman with newcomer Adrien Brody), Anderson subsequently allows for the possibility of transformation. He paints a graceful picture of personality disorder, remaining compassionate about how we heal these (not-so-hidden) emotional wounds infected with fear & shame.
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